By: Georges Didi-Huberman
Format: 552 pages, Paperback
Aby Warburg (1866-1929) fece della "sopravvivenza" il motivo centrale del suo approccio antropologi…
Want to Read $ 10.29If you liked the nonfiction plot in L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte by Georges Didi-Huberman , here is a list of 6 books like this:
By: Elena Ferrante , Ann Goldstein
Format: 135 pages, Paperback
Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante's … read more
Want to ReadSimilar categories in Elena Ferrante's Those Who Leave and Those Who Stay (The Neapolitan Novels #3) book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Elias Canetti
Format: 256 pages, Paperback
The Torch in My Ear is the account of Canetti's young manhood, of his arrival in Vienna in the earl… read more
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By: Simone de Beauvoir , James Kirkup
Format: 156 pages, Paperback
A superb autobiography by one of the great literary figures of the twentieth century, Simone de Bea… read more
Want to ReadSimilar categories in Simone de Beauvoir's Memoirs of a Dutiful Daughter book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Pascal Quignard
Format: None pages, Mass Market Paperback
"Il poussa la porte qui donnait sur la balustrade et le jardin de derriere et il vit soudain l'ombr… read more
Want to ReadSimilar categories in Pascal Quignard's Tous les matins du monde book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Elena Ferrante , Ann Goldstein
Format: 360 pages, Paperback
Here is the dazzling saga of two women, the brilliant, bookish Elena and the fiery, uncontainable L… read more
Want to ReadSimilar categories in Elena Ferrante's The Story of the Lost Child (The Neapolitan Novels, #4) book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Stefan Zweig , Harry Zohn
Format: 640 pages, Paperback
Stefan Zweig (1881-1942) was a poet, novelist, and dramatist, but it was his biographies that expre… read more
Want to ReadSimilar categories in Stefan Zweig's The World of Yesterday book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Elena Ferrante
Format: 108 pages, Paperback
A modern masterpiece from one of Italy's most acclaimed authors, My Brilliant Friend is a rich, int… read more
Want to ReadSimilar categories in Elena Ferrante's My Brilliant Friend (L'amica geniale #1) book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Gilles Deleuze , Félix Guattari , Brian Massumi
Format: 352 pages, Paperback
Gilles Deleuze (1925-1995) was Professor of Philosophy at the University of Paris VIII. He is a key… read more
Want to ReadSimilar categories in Gilles Deleuze's A Thousand Plateaus: Capitalism and Schizophrenia book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Wassily Kandinsky
Format: 440 pages, Paperback
A pioneering work in the movement to free art from its traditional bonds to material reality, this … read more
Want to ReadSimilar categories in Wassily Kandinsky's Concerning the Spiritual in Art book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Malcolm Lowry
Format: 423 pages, Paperback
Geoffrey Firmin, a former British consul, has come to Quauhnahuac, Mexico. His debilitating malaise… read more
Want to Read $ 7.99Similar categories in Malcolm Lowry's Under the Volcano book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
"Even almost bad poetry is better than life"-Malcolm Lowry, Under the Volcano
"My lover. Oh come to me again as once in May."-Malcolm Lowry, Under the Volcano
"What is man but a little soul holding up a corpse?"-Malcolm Lowry, Under the Volcano
"The dead. Do they sleep? Why should they, when we cannot?"-Malcolm Lowry, Under the Volcano
By: Octavio Paz , Lysander Kemp , Yara Milos
Format: 288 pages, Paperback
Octavio Paz has long been acknowledged as Mexico's foremost writer and critic. In this internationa… read more
Want to ReadSimilar categories in Octavio Paz's The Labyrinth of Solitude and Other Writings book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Jacques Rancière
Format: 364 pages, Hardcover
The theorists of art and film commonly depict the modern audience as aesthetically and politically … read more
Want to ReadSimilar categories in Jacques Rancière's The Emancipated Spectator book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Elena Ferrante , Ann Goldstein
Format: 75 pages, Paperback
The second book, following last year's My Brilliant Friend, featuring the two friends Lila and Elen… read more
Want to ReadSimilar categories in Elena Ferrante's The Story of a New Name (The Neapolitan Novels #2) book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Camila Sosa Villada
Format: 208 pages, Hardcover
Gritty and unflinching, yet also tender, fantastical, and funny, a trans woman’s coming-of-age tale… read more
Want to Read $ 12.99Similar categories in Camila Sosa Villada's Bad Girls book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
"Nosotras habíamos nacido ya expulsadas del armario,esclavas de nuestra apariencia."-Camila Sosa Villada, Bad Girls
"Cuando una puerta se cierra, se abre una ventana, pero hay que ser muy ágil para entrar o salir por la ventana"-Camila Sosa Villada, Bad Girls
"La infancia y las travestis son incompatibles. La imagen de una travesti con un niño en brazos es pecado para esa gentuza."-Camila Sosa Villada, Bad Girls
"A las travestis no nos nombra nadie, salvo nosotras. El resto de la gente ignora nuestros nombres, usa el miso para todas: putos."-Camila Sosa Villada, Bad Girls
By: Carla Madeira
Format: 216 pages, Paperback
Por este livro passa um rio. Em sua correnteza, a obsessão de três personagens que não sabem desist… read more
Want to Read $ 9.99Similar categories in Carla Madeira's Tudo é Rio book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
"Deus não é um lugar de certeza, é só um pouco de esperança."-Carla Madeira, Tudo é Rio
"Um dia feliz tem mais poder que a tristeza de uma vida inteira"-Carla Madeira, Tudo é Rio
"Quem vê de fora faz arranjos melhores, mas é dentro, bem no lugar que a gente não vê, que o não dar conta ocupa tudo."-Carla Madeira, Tudo é Rio
"Não sabia se livrar daquele sentir, e do sentir para o consentir é só um tombinho de nada, basta um descuido para quem está andando tropeçar."-Carla Madeira, Tudo é Rio
By: Jeferson Tenório
Format: 192 pages, Paperback
Um romance sobre identidade e as complexas relações raciais, sobre violência e negritude, O avesso … read more
Want to Read $ 11.99Similar categories in Jeferson Tenório's O Avesso da Pele book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
"É inventando que consigo ser honesto."-Jeferson Tenório, O Avesso da Pele
"Compreender as ações dos pais leva anos, às vezes a vida inteira."-Jeferson Tenório, O Avesso da Pele
"A vida simplesmente acontecia e você simplesmente passava por ela."-Jeferson Tenório, O Avesso da Pele
"Lembre-se que é ao lado de outra pessoa que aprendemos a nos conhecer."-Jeferson Tenório, O Avesso da Pele
By: María Gainza
Format: 192 pages, Hardcover
New York Times Notable author María Gainza, who dazzled critics with her debut Optic Nerve, returns… read more
Want to Read $ 10.99Similar categories in María Gainza's Portrait of an Unknown Lady book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
"Memory edits things, colours them, mixes cement with the rainbow, does whatever's needed to make the story work."-María Gainza, Portrait of an Unknown Lady
"Pero la realidad es más extraña que la ficción y más difusa también, y ahora que lo pienso no existe droga que pueda inducir una fantasía igual en tantos individuos diferentes. Todas las ramas de la …"-María Gainza, Portrait of an Unknown Lady
"No esperen nombres, estadísticas, fechas. Lo sólido se me escapa, solo queda entre mis dedos una atmósfera imprecisa, técnicamente soy una impresionista de la vieja escuela. Además, todos estos años …"-María Gainza, Portrait of an Unknown Lady
"Poseía «el ojo de halcón» que en el mundo del arte, como «el ojo clínico» en medicina, es un talento en extinción. Ella podía ver a través de una pintura, podía entender su matriz. Tenía un don innat…"-María Gainza, Portrait of an Unknown Lady
By: Peter Neumann
Format: 256 pages, Hardcover
Around the turn of the nineteenth century, a steady stream of young German poets and thinkers cours… read more
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By: Enzo Traverso
Format: 480 pages, Hardcover
A cultural and intellectual balance-sheet of the twentieth century’s age of revolutions. This bo… read more
Want to Read $ 9.99Similar categories in Enzo Traverso's Revolution: An Intellectual History book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
"Six out of eight members of the first politburo of the Bolshevik Party created in November 1917 – Lev Kamenev, Nikolay Krestinsky, Leon Trotsky, Grigory Zinoviev, Andrei Bubnov, and Grigori Sokolniko…"-Enzo Traverso, Revolution: An Intellectual History
"The tragedy of revolutions lies in the fatal metamorphosis that drives them from liberation to the struggle for survival, and finally to the edification of a new oppressive rule; from emancipating vi…"-Enzo Traverso, Revolution: An Intellectual History
"In the words of Jaurès, ‘there was in the history of the red flag an ambiguous period in which its meaning oscillated between the past and the future.’ It seems that it takes its current significance…"-Enzo Traverso, Revolution: An Intellectual History
By: Chantal Akerman
Format: 92 pages, Paperback
En un apartamento de Bruselas, delante una parada del tranvía, una mujer acaba de perder a su marid… read more
Want to Read $ 8.99Similar categories in Chantal Akerman's Una familia en Bruselas book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: María Gainza
Format: 248 pages, Paperback
Un libro en el que se entrecruzan el arte, la literatura y la vida: la confirmación del inmenso tal… read more
Want to Read $ 9.59Similar categories in María Gainza's Un puñado de flechas book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Georges Didi-Huberman
Format: 552 pages, Paperback
Aby Warburg (1866-1929) fece della "sopravvivenza" il motivo centrale del suo approccio antropologi… read more
Want to Read $ 10.29Similar categories in Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
By: Pascal Quignard
Format: 256 pages, Unknown Binding
Prolific essayist, translator, and critic Pascal Quignard has described his Last Kingdom series as … read more
Want to Read $ 15.67Similar categories in Pascal Quignard's Abysses book and Georges Didi-Huberman's L'immagine insepolta. Aby Warburg, la memoria dei fantasmi e la storia dell'arte
"La chasse est le fond de l’art. Le guet le fond de la contemplation. La faim le fond du désir. La carnivore le fond de l’admiration."-Pascal Quignard, Abysses
"Rhynia, haute de cinquante centimètres, doit son nom au lieu de sa découverte dans le comté de Rhynie, en Écosse, où elle fut engloutie lors d’une éruption volcanique. Il y a des Pompéi de fleurs."-Pascal Quignard, Abysses
"Certains animaux connaissent des extases peut-être plus puissantes ontologiquement à partir de leur silence et au sein de leur appartenance au milieu, que nous-mêmes à partir du langage et dans notre…"-Pascal Quignard, Abysses
"La enfermedad del retorno imposible de lo perdido —la nostalgia— es el primer vicio del pensamiento, junto a la apetencia de lenguaje. Aunque habría que sugerir que la adquisición de la lengua natura…"-Pascal Quignard, Abysses