By: Gustavo Mercado
Format: 196 pages, ebook
The Language of the Lens explores the expressive power of the camera lens and the storytelling cont…
Want to Read $ 26.03If you liked the nonfiction plot in The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image by Gustavo Mercado , here is a list of 6 books like this:
By: Ursula K. Le Guin
Format: 183 pages, Paperback
Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth. Hungr… read more
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"Master, I go hunting."-Ursula K. Le Guin, A Wizard of Earthsea (Earthsea Cycle, #1)
"Bu bir taş. Gerçek Lisan’da ise “tolk"-Ursula K. Le Guin, A Wizard of Earthsea (Earthsea Cycle, #1)
"To light a candle is to cast a shadow..."-Ursula K. Le Guin, A Wizard of Earthsea (Earthsea Cycle, #1)
"Encender una vela es proyectar una sombra..."-Ursula K. Le Guin, A Wizard of Earthsea (Earthsea Cycle, #1)
By: Stephen King
Format: 440 pages, Paperback
In 1978, Stephen King introduced the world to the last gunslinger, Roland of Gilead. Nothing has be… read more
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By: Philip E. Tetlock , Dan Gardner
Format: 768 pages, Hardcover
A New York Times Bestseller An EconomistBest Book of 2015 "The most important book on decision maki… read more
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By: Agatha Christie
Format: 306 pages, Hardcover
Murder at the Vicaragemarks the debut of Agatha Christie's unflappable and much beloved female dete… read more
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By: Syd Field
Format: 306 pages, Paperback
A generation of screenwriters has used Syd Field's bestselling books to ignite successful careers i… read more
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By: Malcolm Gladwell
Format: 31 pages, Paperback
Drawing on cutting-edge neuroscience and psychology and displaying all of the brilliance that made … read more
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By: Blain Brown
Format: 352 pages, Paperback
Lavishly produced and illustrated, Cinematography covers the entire range of the profession. The bo… read more
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By: Roberto Bolaño , Natasha Wimmer
Format: 334 pages,
New Year's Eve, 1975: Arturo Belano and Ulises Lima, founders of the visceral realist movement in p… read more
Want to ReadSimilar categories in Roberto Bolaño's The Savage Detectives book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image
By: David Mazzucchelli
Format: 255 pages, Hardcover
The triumphant return of one of comics' greatest talents, with an engrossing story of one man's sea… read more
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By: John Le Carré
Format: 381 pages, Paperback
A modern classic in which John le Carré expertly creates a total vision of a secret world, Tinker, … read more
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"As a good Socialist, I'm going for the money."-John Le Carré, Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)
"Treason is very much a matter of habit, Smiley decided."-John Le Carré, Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)
"Good intelligence work, Control had always preached, was gradual and rested on a kind of gentleness."-John Le Carré, Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)
"The monstrosity of this, reaching Smiley through a thickening wall of spiritual exhaustion, left him momentarily speechless."-John Le Carré, Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)
By: Cormac McCarthy
Format: 592 pages,
All the Pretty Horsestells of young John Grady Cole, the last of a long line of Texas ranchers. Acr… read more
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By: None
Format: None pages,
If you can't make it to one of Bruce Block's legendary visual storytelling seminars, then you need … read more
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By: Robert McKee
Format: 176 pages, Hardcover
Robert McKee's screenwriting workshops have earned him an international reputation for inspiring no… read more
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By: Cormac McCarthy
Format: 385 pages, Kindle Edition
1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of… read more
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"All of history [is] a rehearsal for its own extinction."-Cormac McCarthy, The Passenger (The Passenger #1)
"...do you think if you died drunk you’d sober up before you met Jesus?"-Cormac McCarthy, The Passenger (The Passenger #1)
"The evil has no alternate plan. It is simply incapable of assuming failure"-Cormac McCarthy, The Passenger (The Passenger #1)
"She asked the girl what she wanted to be when she grew up and she said dead."-Cormac McCarthy, The Passenger (The Passenger #1)
By: Quentin Tarantino
Format: 391 pages, Hardcover
The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once… read more
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"Elvis movies weren't real movies, they were "Elvis Presley movies"-Quentin Tarantino, Cinema Speculation
"Who wants to spend three months making a fucked-up version of their movie?"-Quentin Tarantino, Cinema Speculation
"I don't know how he died, where he died, or where he's buried. But I do know I should've thanked him."-Quentin Tarantino, Cinema Speculation
"Then the movie started playing like a real movie. But frankly, a more real movie than we were used to."-Quentin Tarantino, Cinema Speculation
By: Hervé Le Tellier
Format: 391 pages, Paperback
A virtuoso novel where logic confronts magic and that explores the part of ourselves that eludes us… read more
Want to Read $ 11.99Similar categories in Hervé Le Tellier's The Anomaly book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image
"Aimer évite au moins de chercher sans cesse un sens à sa vie."-Hervé Le Tellier, The Anomaly
"Le vrai pessimiste sait qu'il est déjà trop tard pour l'être."-Hervé Le Tellier, The Anomaly
"Es gibt ein Leben nach dem Tod, besonders nach dem der anderen."-Hervé Le Tellier, The Anomaly
"Une traduction est une œuvre, les traducteurs sont des auteurs."-Hervé Le Tellier, The Anomaly
By: Gustavo Mercado
Format: 196 pages, ebook
The Language of the Lens explores the expressive power of the camera lens and the storytelling cont… read more
Want to Read $ 26.03Similar categories in Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image