6 Best nonfiction books like The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image by Gustavo Mercado

Cover of The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image by Gustavo Mercado

The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

By: Gustavo Mercado

4.22

Format: 196 pages, ebook

The Language of the Lens explores the expressive power of the camera lens and the storytelling cont…

If you liked the nonfiction plot in The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image by Gustavo Mercado , here is a list of 6 books like this:

Cover of A Wizard of Earthsea (Earthsea Cycle, #1) by Ursula K. Le Guin

1. A Wizard of Earthsea (Earthsea Cycle, #1)

By: Ursula K. Le Guin

4.01

Format: 183 pages, Paperback

Ged, the greatest sorcerer in all Earthsea, was called Sparrowhawk in his reckless youth. Hungr… read more

Similar categories in Ursula K. Le Guin's A Wizard of Earthsea (Earthsea Cycle, #1) book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

"Master, I go hunting."

-Ursula K. Le Guin, A Wizard of Earthsea (Earthsea Cycle, #1)

"Bu bir taş. Gerçek Lisan’da ise “tolk"

-Ursula K. Le Guin, A Wizard of Earthsea (Earthsea Cycle, #1)

"To light a candle is to cast a shadow..."

-Ursula K. Le Guin, A Wizard of Earthsea (Earthsea Cycle, #1)

"Encender una vela es proyectar una sombra..."

-Ursula K. Le Guin, A Wizard of Earthsea (Earthsea Cycle, #1)

Cover of The Drawing of the Three by Stephen        King

2. The Drawing of the Three

By: Stephen King

3.39

Format: 440 pages, Paperback

In 1978, Stephen King introduced the world to the last gunslinger, Roland of Gilead. Nothing has be… read more

Similar categories in Stephen King's The Drawing of the Three book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

Cover of Superforecasting: The Art and Science of Prediction by Philip E. Tetlock, Dan Gardner

3. Superforecasting: The Art and Science of Prediction

By: Philip E. Tetlock , Dan Gardner

3.95

Format: 768 pages, Hardcover

A New York Times Bestseller An EconomistBest Book of 2015 "The most important book on decision maki… read more

Similar categories in Philip E. Tetlock's Superforecasting: The Art and Science of Prediction book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

  • nonfiction
Cover of Murder at the Vicarage (Miss Marple, #1) by Agatha Christie

4. Murder at the Vicarage (Miss Marple, #1)

By: Agatha Christie

4.18

Format: 306 pages, Hardcover

Murder at the Vicaragemarks the debut of Agatha Christie's unflappable and much beloved female dete… read more

Similar categories in Agatha Christie's Murder at the Vicarage (Miss Marple, #1) book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

Cover of Screenplay: The Foundations of Screenwriting by Syd Field

5. Screenplay: The Foundations of Screenwriting

By: Syd Field

4.18

Format: 306 pages, Paperback

A generation of screenwriters has used Syd Field's bestselling books to ignite successful careers i… read more

Similar categories in Syd Field's Screenplay: The Foundations of Screenwriting book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

  • nonfiction
  • film
Cover of Blink: The Power of Thinking Without Thinking by Malcolm Gladwell

6. Blink: The Power of Thinking Without Thinking

By: Malcolm Gladwell

4.08

Format: 31 pages, Paperback

Drawing on cutting-edge neuroscience and psychology and displaying all of the brilliance that made … read more

Similar categories in Malcolm Gladwell's Blink: The Power of Thinking Without Thinking book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

  • nonfiction
Cover of Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers by Blain Brown

7. Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers

By: Blain Brown

4.36

Format: 352 pages, Paperback

Lavishly produced and illustrated, Cinematography covers the entire range of the profession. The bo… read more

Similar categories in Blain Brown's Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

  • photography
  • nonfiction
  • film

8. The Savage Detectives

By: Roberto Bolaño , Natasha Wimmer

4.48

Format: 334 pages,

New Year's Eve, 1975: Arturo Belano and Ulises Lima, founders of the visceral realist movement in p… read more

Similar categories in Roberto Bolaño's The Savage Detectives book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

9. Asterios Polyp

By: David Mazzucchelli

4.35

Format: 255 pages, Hardcover

The triumphant return of one of comics' greatest talents, with an engrossing story of one man's sea… read more

Similar categories in David Mazzucchelli's Asterios Polyp book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

Cover of Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1) by John Le Carré

10. Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)

By: John Le Carré

4.06

Format: 381 pages, Paperback

A modern classic in which John le Carré expertly creates a total vision of a secret world, Tinker, … read more

Similar categories in John Le Carré's Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1) book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

"As a good Socialist, I'm going for the money."

-John Le Carré, Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)

"Treason is very much a matter of habit, Smiley decided."

-John Le Carré, Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)

"Good intelligence work, Control had always preached, was gradual and rested on a kind of gentleness."

-John Le Carré, Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)

"The monstrosity of this, reaching Smiley through a thickening wall of spiritual exhaustion, left him momentarily speechless."

-John Le Carré, Tinker, Tailor, Soldier, Spy (George Smiley, #5; Karla Trilogy, #1)

11. All the Pretty Horses (The Border Trilogy, #1)

By: Cormac McCarthy

4.00

Format: 592 pages,

All the Pretty Horsestells of young John Grady Cole, the last of a long line of Texas ranchers. Acr… read more

Similar categories in Cormac McCarthy's All the Pretty Horses (The Border Trilogy, #1) book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

12. The Visual Story: Creating the Visual Structure of Film, TV and Digital Media

By: None

4.00

Format: None pages,

If you can't make it to one of Bruce Block's legendary visual storytelling seminars, then you need … read more

Similar categories in None's The Visual Story: Creating the Visual Structure of Film, TV and Digital Media book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

13. Story: Substance, Structure, Style, and the Principles of Screenwriting

By: Robert McKee

4.29

Format: 176 pages, Hardcover

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring no… read more

Similar categories in Robert McKee's Story: Substance, Structure, Style, and the Principles of Screenwriting book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

Cover of The Passenger (The Passenger #1) by Cormac McCarthy

14. The Passenger (The Passenger #1)

By: Cormac McCarthy

3.58

Format: 385 pages, Kindle Edition

1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of… read more

Similar categories in Cormac McCarthy's The Passenger (The Passenger #1) book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

"All of history [is] a rehearsal for its own extinction."

-Cormac McCarthy, The Passenger (The Passenger #1)

"...do you think if you died drunk you’d sober up before you met Jesus?"

-Cormac McCarthy, The Passenger (The Passenger #1)

"The evil has no alternate plan. It is simply incapable of assuming failure"

-Cormac McCarthy, The Passenger (The Passenger #1)

"She asked the girl what she wanted to be when she grew up and she said dead."

-Cormac McCarthy, The Passenger (The Passenger #1)

Cover of Cinema Speculation by Quentin Tarantino

15. Cinema Speculation

By: Quentin Tarantino

4.06

Format: 391 pages, Hardcover

The long-awaited first work of nonfiction from the author of the #1 New York Times bestselling Once… read more

Similar categories in Quentin Tarantino's Cinema Speculation book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

  • nonfiction
  • film
"Elvis movies weren't real movies, they were "Elvis Presley movies"

-Quentin Tarantino, Cinema Speculation

"Who wants to spend three months making a fucked-up version of their movie?"

-Quentin Tarantino, Cinema Speculation

"I don't know how he died, where he died, or where he's buried. But I do know I should've thanked him."

-Quentin Tarantino, Cinema Speculation

"Then the movie started playing like a real movie. But frankly, a more real movie than we were used to."

-Quentin Tarantino, Cinema Speculation

Cover of The Anomaly by Hervé Le Tellier

16. The Anomaly

By: Hervé Le Tellier

3.81

Format: 391 pages, Paperback

A virtuoso novel where logic confronts magic and that explores the part of ourselves that eludes us… read more

Similar categories in Hervé Le Tellier's The Anomaly book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

"Aimer évite au moins de chercher sans cesse un sens à sa vie."

-Hervé Le Tellier, The Anomaly

"Le vrai pessimiste sait qu'il est déjà trop tard pour l'être."

-Hervé Le Tellier, The Anomaly

"Es gibt ein Leben nach dem Tod, besonders nach dem der anderen."

-Hervé Le Tellier, The Anomaly

"Une traduction est une œuvre, les traducteurs sont des auteurs."

-Hervé Le Tellier, The Anomaly

Cover of The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image by Gustavo Mercado

17. The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

By: Gustavo Mercado

4.22

Format: 196 pages, ebook

The Language of the Lens explores the expressive power of the camera lens and the storytelling cont… read more

Similar categories in Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image book and Gustavo Mercado's The Filmmaker's Eye: The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image

  • textbooks
  • photography
  • nonfiction
  • film

11 best-selling audiobook books like Blink: The Power of Thinking Without Thinking by Malcolm Gladwell

Transform Your Habits

The Power of Habit: Why We Do What We Do in Life and Business

Charles Duhigg

4.13

Transform Your Habits

The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life

Mark Manson , None

3.88

Transform Your Habits

Sapiens: A Brief History of Humankind

Yuval Noah Harari

4.36

Transform Your Habits

Thinking, Fast and Slow

Daniel Kahneman

4.18

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