8 Best nonfiction books like Timecode of a Face by Ruth Ozeki

If you liked the nonfiction plot in Timecode of a Face by Ruth Ozeki , here is a list of 8 books like this:

Similar categories in Wendy Cope's Serious Concerns book and Ruth Ozeki's Timecode of a Face

• nonfiction

"Write to amuse? What an appalling suggestion! I write to make people anxious and miserable and to worsen their indigestion."

-Wendy Cope, Serious Concerns

"The day he moved out was terrible – That evening she went through hell. His absence wasn’t a problem But the corkscrew had gone as well."

-Wendy Cope, Serious Concerns

"At lunchtime I bought a huge orange The size of it made us all laugh. I peeled it and shared it with Robert and Dave— They got quarters and I had a half. And that orange it made me so happy, As ordin…"

-Wendy Cope, Serious Concerns

"Bloody men are like bloody buses — You wait for about a year And as soon as one approaches your stop Two or three others appear. You look at them flashing their indicators, Offering you a ride. You’r…"

-Wendy Cope, Serious Concerns

Similar categories in Maggie Nelson's Bluets book and Ruth Ozeki's Timecode of a Face

• memoir
• philosophy
• nonfiction
• essays
• contemporary

Similar categories in Toni Morrison's Sweetness book and Ruth Ozeki's Timecode of a Face

Similar categories in Hanna Bervoets's We Had to Remove This Post book and Ruth Ozeki's Timecode of a Face

• audiobook
• short stories
• contemporary

"Yena's insecurities were soap bubbles that I had to keep popping, like in that game you play on your phone, but new ones kept appearing and I didn't want to lose, I didn't want to lose her,..."

-Hanna Bervoets, We Had to Remove This Post

"They want me to give them something new, things they'd never dare look at, things that are far beyond their imagination, which is why Gregory asks, "But whats the worst thing you ever saw?" rather th…"

-Hanna Bervoets, We Had to Remove This Post

Similar categories in Claire Keegan's Small Things Like These book and Ruth Ozeki's Timecode of a Face

• short stories
• audiobook

"Always, Christmas brought out the best and the worst in people."

-Claire Keegan, Small Things Like These

"for people were bound, he knew, to reveal not only themselves, but what they knew, in conversation"

-Claire Keegan, Small Things Like These

"And then the nights came on and the frosts took hold again, and blades of cold slid under doors and cut the knees off those who still knelt to say the rosary."

-Claire Keegan, Small Things Like These

"When he reached the yard gate and found the padlock seized with frost, he felt the strain of being alive and wished he had stayed in bed, but he made himself carry on and crossed to a neighbour’s hou…"

-Claire Keegan, Small Things Like These

Similar categories in Eva Baltasar's Boulder book and Ruth Ozeki's Timecode of a Face

• contemporary

"Los niños pequeños tienen ese poder, imponen su alegría al malestar ordinario de los adultos."

-Eva Baltasar, Boulder

"Y sin embargo he descubierto que no se puede columpiar a un hijo sin sonreír. Lo he intentado y es imposible. Los niños pequeños tienen ese poder, imponen su alegría al malestar ordinario de los adul…"

-Eva Baltasar, Boulder

"I listen with all five senses, I listen to her with my entire body, with everything but my heart, which feels like it wants to thrash the hell out of me. This wasn't part of our plan. The truth is we…"

-Eva Baltasar, Boulder

"But all this tunneling has opened rifts through which the captive parts of me have started to emerge. I realize that I am smoke, that the things that define me rise as they would up a chimney, probin…"

-Eva Baltasar, Boulder

Similar categories in Rin Usami's Idol, Burning book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"His existence and my witnessing of it were all I asked for."

-Rin Usami, Idol, Burning

"Maybe that was how a home broke down over the years, as the sound of doors slamming and chairs roughly scraping the floor built up like dust, and the slow drip of gnashing teeth and resentful grumbli…"

-Rin Usami, Idol, Burning

"Idol groups generally assigned each member an official color, which would be used for the light sticks that fans would hold up to show your support at a performance or for other individual merch. My …"

-Rin Usami, Idol, Burning

Similar categories in Mieko Kawakami's All the Lovers in the Night book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"It only took me a couple of hours to realise that she was a woman of talents beyond anything I could imagine - even though I was a stranger to such talents myself."

-Mieko Kawakami, All the Lovers in the Night

"The light at night is special because the overwhelming light of day has left us, and the remaining half draws on everything it has to keep the world around us bright."

-Mieko Kawakami, All the Lovers in the Night

"When I felt sleepy I slept, and when I opened my eyes I got up, letting hunger dictate when to head to the fridge or kitchen cabinet to eat some of the things that I'd stocked up on. When supplies ra…"

-Mieko Kawakami, All the Lovers in the Night

"When I felt sleepy I slept, and when I opened my eyes I got up, letting hunger dictate when to head to the fridge or kitchen cabinet to eat some of the things that I'd stocked up on. When supplies ra…"

-Mieko Kawakami, All the Lovers in the Night

Similar categories in Julia Armfield's Our Wives Under the Sea book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"El océano profundo es una casa embrujada: un lugar donde se mueven en la oscuridad cosas que no deberían existir."

-Julia Armfield, Our Wives Under the Sea

"She refused almost every aspect of my help, the way women will when they've been bred to accept little more than the baset civility."

-Julia Armfield, Our Wives Under the Sea

"I don't know why I expected you to read my mind,' I say, when I call back to leave her a message, 'I was just doing what I always do, assuming the world revolves around me."

-Julia Armfield, Our Wives Under the Sea

"The space around us is a claw half grasped, holding tight without quite crushing, and I wish, in the idle way I always wish these days, that I felt more confident in my ability to breathe."

-Julia Armfield, Our Wives Under the Sea

Similar categories in Jessica Au's Cold Enough for Snow book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"She had kept, I knew, all the tickets, brochures and guides we had been given to take home, as if she would take them out later to read as one reads a novel."

-Jessica Au, Cold Enough for Snow

"The best we could do in this life was to pass through it, like smoke through the branches, suffering, until we either reached the state of nothingness, or else suffered elsewhere."

-Jessica Au, Cold Enough for Snow

"Nowadays, she said, people were hungry to know everything, thinking that they could understand it all, as if enlightenment were just around the corner. But, she said, in fact there was no control, an…"

-Jessica Au, Cold Enough for Snow

"Then she reached for her bag and took out a small book. She explained she had found it at a store near her home, and that it described the nature of your character based on the date of your birth. (.…"

-Jessica Au, Cold Enough for Snow

Similar categories in Claire Keegan's So Late in the Day book and Ruth Ozeki's Timecode of a Face

• audiobook
• short stories
• contemporary

Similar categories in Calvin Kasulke's Several People Are Typing book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"what is a workplace but a cult where everyone gets paid"

-Calvin Kasulke, Several People Are Typing

"When is have a break? We already had lunch, man. The next break happens when the work is over. I showed you on your gcal, remember? When is have a break from self meat? LOL. Uh, death, I guess. But t…"

-Calvin Kasulke, Several People Are Typing

Similar categories in Claudia Piñeiro's Elena Knows book and Ruth Ozeki's Timecode of a Face

• contemporary

"¿Seguirá siendo madre ahora que no tiene hija?"

-Claudia Piñeiro, Elena Knows

Similar categories in Hiroko Oyamada's Weasels in the Attic book and Ruth Ozeki's Timecode of a Face

• short stories
• contemporary

"We meet at school, or work, or maybe a store. Wherever it is, there's just a random group of individuals, right? Within that group, you find your mate. If you were in a different group, you' d end up…"

-Hiroko Oyamada, Weasels in the Attic

Similar categories in Sheena Patel's I'm a Fan book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"It is toxic. I am familiar"

-Sheena Patel, I'm a Fan

"Happiness or safety. Or isn't that the same thing?"

-Sheena Patel, I'm a Fan

"I never came with him. I never felt safe enough to."

-Sheena Patel, I'm a Fan

"The world is made for couples. Even the unhappy ones."

-Sheena Patel, I'm a Fan

Similar categories in Annie Ernaux's Exteriors book and Ruth Ozeki's Timecode of a Face

• memoir
• biography memoir
• short stories
• nonfiction
• essays
• contemporary

Similar categories in Emi Yagi's Diary of a Void book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"Having a baby isn't easy. Damned if you do, damned if you don't. It's been two thousand years, and it's the same old story, right?"

-Emi Yagi, Diary of a Void

"I'm always so alone. I guess I should be used to it by now. That's the way it is from the moment we come into this world, but I'm still not used to it - how alone we all are."

-Emi Yagi, Diary of a Void

"Maybe that's making a family is all about: creating an environment in which people make space for one another - maybe without even trying, just naturally, to make sure that nobody's forgotten."

-Emi Yagi, Diary of a Void

"Until they arrived, while everyone else was transitioning to winter, putting on coats and sweaters, I was going to stick with my summer dress and my usual work blazer. Dressed in the dazzling flowers…"

-Emi Yagi, Diary of a Void

Similar categories in Natasha Brown's Assembly book and Ruth Ozeki's Timecode of a Face

• audiobook
• short stories
• contemporary

"I traded in my life for a sliver of middle-class comfort. For a future."

-Natasha Brown, Assembly

"Explain air. Convince a sceptic. Prove it's there. Prove what cant be seen."

-Natasha Brown, Assembly

"Because they watch (us). They're taught how to, from school. They are taught to view our bodies (selves) as objects."

-Natasha Brown, Assembly

"Everything now is profit. I am what we’ve always been to the empire: pure, fucking profit. A natural resource to exploit and exploit, denigrate, and exploit."

-Natasha Brown, Assembly

Similar categories in Banana Yoshimoto's The Premonition book and Ruth Ozeki's Timecode of a Face

• short stories
• contemporary

"I'd never known a love before that could blot out the world around like this."

-Banana Yoshimoto, The Premonition

"Later, for the first time in a very long time, I heard my aunt play the piano. Its tone was soft, and just like I remembered it. At the kitchen window one overcast afternoon, I watched its beautiful …"

-Banana Yoshimoto, The Premonition

Similar categories in Toni Morrison's Recitatif book and Ruth Ozeki's Timecode of a Face

• short stories
• audiobook

"Difficult to “move on"

-Toni Morrison, Recitatif

Similar categories in Caleb Azumah Nelson's Open Water book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"Trauma makes you considerate."

-Caleb Azumah Nelson, Open Water

"You are more than the sum of your traumas"

-Caleb Azumah Nelson, Open Water

"You do not want to die before you can live"

-Caleb Azumah Nelson, Open Water

"...love was not always synonymous with care."

-Caleb Azumah Nelson, Open Water

Similar categories in Han Kang's The White Book book and Ruth Ozeki's Timecode of a Face

• audiobook
• short stories
• essays
• contemporary

"Now and then, the passage of time seems acutely apparent. Physical pain always sharpens the awareness."

-Han Kang, The White Book

"This life needed only one of us to live it. If you had lived beyond those first few hours, I would not be living now. My life means yours is impossible."

-Han Kang, The White Book

"And she frequently forgot, That her body (all our bodies) is a house of sand. That it shattered and is shattering still. Slipping stubbornly through fingers."

-Han Kang, The White Book

"There is none of us whom life regards with any partiality. Sleet falls as she walks these streets, holding this knowledge inside her. Sleet that leaves cheeks and eyebrows heavy with moisture. Everyt…"

-Han Kang, The White Book

Similar categories in Ruth Ozeki's Timecode of a Face book and Ruth Ozeki's Timecode of a Face

• buddhism
• biography
• memoir
• philosophy
• biography memoir
• short stories
• nonfiction
• essays
• contemporary
• audiobook

"We place such crazy importance on physical appearance in our image-obsessed culture, on youth and beauty to define our sense of self-worth, that aging, by default, becomes a kind of defect, something…"

-Ruth Ozeki, Timecode of a Face

Similar categories in Amina Cain's Indelicacy book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

"I hated March more than any other month, with its promises of warmth that never came"

-Amina Cain, Indelicacy

"I would listen to a bird cry, or the cat and the dog scratching around. In those moments I felt like a giant ear."

-Amina Cain, Indelicacy

"In books I found even more strongly my desire to write, to write back to them and their jagged, perfect words. I found life that ran close to my own"

-Amina Cain, Indelicacy

"Why is empty space a comfort and a relief? It's not because I project myself there; it's because I can't. It shows me my projections, but they haven't left my mind. Empty space remains empty, always.…"

-Amina Cain, Indelicacy

Similar categories in Micha Frazer-Carroll's Mad World: The Politics of Mental Health (Outspoken by Pluto) book and Ruth Ozeki's Timecode of a Face

• nonfiction

Similar categories in Nina Mingya Powles's Tiny Moons: A Year of Eating in Shanghai book and Ruth Ozeki's Timecode of a Face

• nonfiction
• biography
• memoir
• essays

"Home sickness comes in waves, sometimes leaving me reeling."

-Nina Mingya Powles, Tiny Moons: A Year of Eating in Shanghai

"It is June. I am in Shanghai and I am not tired. June in Shanghai is for cold bubble tea, for kissing, for three-yuan ice creams and misty rain mixing with sweat on skin."

-Nina Mingya Powles, Tiny Moons: A Year of Eating in Shanghai

"I often end up biking home with a paper bag in my basket, a warm boluo bao inside. Whatever the time of year, they remind me of sun, tropical heat, being with family. Mooncakes, the little cakes eate…"

-Nina Mingya Powles, Tiny Moons: A Year of Eating in Shanghai

"It is tiring to be a woman who loves to eat in a society where hunger is something not to be satisfied but controlled. Where a long history of female hunger is associated with shame and madness. The …"

-Nina Mingya Powles, Tiny Moons: A Year of Eating in Shanghai

Similar categories in Tayi Tibble's Rangikura book and Ruth Ozeki's Timecode of a Face

• audiobook
• nonfiction
• contemporary

Similar categories in Derek Owusu's Losing the Plot book and Ruth Ozeki's Timecode of a Face

• contemporary

Similar categories in Soraya Palmer's The Human Origins of Beatrice Porter and Other Essential Ghosts book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

Similar categories in Nikita Lalwani's You People book and Ruth Ozeki's Timecode of a Face

• audiobook
• contemporary

Similar categories in Teddy G. Goetz's Gender Is Really Strange book and Ruth Ozeki's Timecode of a Face

• nonfiction